Boloo.ngaa to maa.n maregii, nahee.n boloo.ngaa to baap kuttaa khaaegaa

Film : Sadhu aur Shaitan

Year of release : 1968

Spoken by : Bajrangi (Mehmood)

Spoken to : Inspector (Anwar Hussain)

Dialogue writer : Rajinder Krishan

This film is among the countless Nagesh remakes that Mahmood starred in. If you ever get the chance, see the original with subtitles. Nagesh was at least 23 times better than Mahmood. Great actor. This particular film was a remake of the 1966 Tamil hit Saadhu MiranDaal. They repeated the panchratna naaTak manDali of Padosan fame in this film too. Both came out around the same time, but PaDosan (which was also a remake of a Bengali/Tamil film) became more popular.

The police is inquiring from all taxi drivers about having ferried a passenger of a certain description. Bajrangi, who is a taxi driver, has ferried the passenger that the police is looking for. However, that passenger had threatened to slit his throat if he squealed to the police. Now when the police inspector (Anwar Hussain) threatens to beat him black and blue, if he does not reveal the details, he cries out in anguish -

"yeh to achchhee baat huee saab, boloo.ngaa to maa.n maregii; nahee.n boloo.ngaa to baap kuttaa khaaegaa"

"ये तो अच्छी बात हुई साहब, बोलूंगा तो मां मरेगी; नहीं बोलूंगा तो बाप कुत्ता खाएगा"

The inspector shrieks in anger 

"kiskaa baap kuttaa khaayegaa?"

Bajrangi explains with this story. A boy watches his mother prepare dog's meat for his father. At dinner time when the meat is served on the table, the son is at sixes and sevens. Damned if he says it, damned if he doesn't. If he reveals the secret, his father will kill his mother in anger, if he does not his father will end up eating dog meat. That very dilemma is conveyed in this dialogue

"boloongaa to maa.n maregii; nahee.n boloongaa to baap kuttaa khaaegaa"

Interesting to note that dog meat is considered a delicacy in some parts of India (like Nagaland) and many other countries (like China and Korea), but it is prohibited in Islamic and Jewish dietary laws. So generally in India eating dog meat is considered offensive. But to those people who consider it a delicacy, this dialogue will be meaningless. It will also be offensive to vegetarians. 

But the story is still interesting, so I have put this line up. 

woh RaavaN? aapko pareshaan kiyaa? abhii aap dekhnaa hum bhii usko pareshaan kartaa

Film: PaDosan

Year of release : 1968

Spoken by : Master Pillai (Mehmood)

Spoken to : Bindu (Saira Banu)

Dialogue writer : Rajendra Krishan (a rare combo of Rajendra Krishan as lyricist and RD Burman as MD)

This was one of my favourite films as I grew up. I did not see too many films in my first 25 years. This was one of the rare films that we saw in a theatre. The choice that day was between Haathi mere Saathi and PaDosan. And PaDosan was not my choice. I am so glad in retrospect that we did not go for Haathi mere Saathi. 

PaDosan is based on the Bangla film 'Paasher BaaRii" which means 'the house nearby'. Anjali Devi made it into a Tamil film in 1960. The Tamil version was called 'Adutha VeeTTuppeN" which means 'the girl next door'. 8 years later Mehmood (whose entire career is owed to Tamil films in general and Nagesh in particular) took this story and made into one of the lasting classics of Hindi films. 

I will not go into the details of the story. This scene happens when Bindu (Saira Banu) tries to get back at the 'boy next door' or 'uncleji next door' {considering Sunil Dutt was 'I am 38 trying to be 25' when this film was made} through her dance master. She wants her dance master to beat up the loafer next door who has been bothering her. The famous chaturnaar song - which is a competition between Vidyapathi (Kishore Kumar) playbacking for Bhola and Masterji - has already happened. Bhola won that round. 

Now all the provocation of Bindu is not able to get Masterji's anger to rise. She even questions his manhood. In response, Masterji coyly pleads guilty to being a man. Finally she invokes religion. Patriotism is the last refuge of a scoundrel. Religion probably is the first. She asks him that when Raavan took Sita away, what did Raam do? Masterji says - he goes to Lanka and defeats Raavan.

'...RaavaN ko aisaa glatten chop maaraa"

Bindu exults that the man has got it finally and quickly says

"haa.n... to tum ek aadmii ko nahee.n maar sakte..."

The now enlightened Masterji says these classic lines

"aiyyaiyyo, aisaa baat kyaaji... aap pehle kyuu.n nahee.n bolaa humko. "

"devii, woh RaavaN? aapko pareshaan kiyaa? abhii aap dekhnaa, hum bhii usko pareshaan kartaa"

and then the fantastic war cry (which means - oi raavan, come here you...)

"dey RaavaN inge vaa Daa nee!"

"अई अई यो, ऐसा बात क्या जी...आप पहले क्यूं नहीं बोला हमको.

देवी.. वो रावण? आपको परेशान किया? अभी आप देखना, हम भी उसको परेशान करता"

'डै रावण, इंगे वाडा नी!" 

Just like Hrishikesh Mukherjee has convinced an entire country that cancer (of any stage) is incurable, Mr Mehmood has convinced all North Indians that no South Indian can speak Hindi properly. But then that is the power of a character.